Kurashiki Design Thread-bound notebook (pink) 8mm ruled 45629-03

■The back tape is made of fine-grained, plain-woven cotton that will withstand years of use.
■The clean typeface logo is stamped with gold foil. It's like secretly enjoying a casual sense of luxury.
Product specifications: 14.8 x 21cm (A5 size) Main paper/OK fools paper 80 pages Comes with 1 round title sticker Made in Japan
Product description: Notebook that Mitsu wants to use Part 2

I liked the ``Mitsu x Kurashiki Design Original Notebook'' and used it all the time at work. When I realized it, it was already eight years ago that Tsubame Note made this for me. We received additional production several times along the way and had ample stock, but in the end, we only had a few left.
In any case, the feel of writing on the Fools paper was pleasant, and even when it was subjected to harsh handling, such as being rolled up and stuffed into a pants pocket, the machine-stitched pages did not come off, making this a notebook with no complaints in terms of usability.

“Mitsu-san, what should we do after this is gone?”
“I would be in trouble if I lost this too, but right now I really want a notebook in a beautiful color.”
“Beautiful colors, aren’t they!?”

Mitsu-san explains what she calls ``beautiful colors'' using her own interpretation of Kurashiki Design: Now that I've seen and used a variety of things as I've gotten older, not only is quality the basis for choosing things, but elegance has also become an essential condition.
If you look around at the stationery scene these days, you'll find a lot of notebooks that are cool and cool, but this is a little different.
If there is a notebook that is colorful but chic, cute but mature, or has a subtle color but is clean and elegant, I would definitely like to use it.
Of course, the point of elegance is not just the color of the cover, but also the nuances of all the clever details, such as the material of the spine tape that can withstand years of use, the color of the spin string that is absolutely convenient, and the subtle yet statement foil stamping of the logo.
So, "Can you create an elegant notebook with beautiful colors that exudes elegance?"
So, the second notebook project that Mitsu wants to use has begun.
The first thing we decided on was to use Gilbert Oxford paper for the cover, which would cover the main paper, which was focused on functionality.
The paper has a delicate texture that looks like it's woven vertically and horizontally, but the deciding factor was its whiteness.
The pure white color with no dullness gives it a clean feel.
“I definitely want this white cover as well.”
``Certainly, I've never seen a notebook with such a pure white cover.''
“Are you concerned that white color gets dirty easily?”
"It feels a little different because it's matte varnished."
First, I decided on the first color.
Next, she said, ``Let's make an all-black one that guys like.''
This is printed twice with black ink to create a deep black finish.
Lastly, Mitsu's favorites are pink and blue.
However, this is the biggest hurdle.
Gilbert Oxford absorbs ink strongly and the colors inevitably become muddy.
Using the beautiful colors of cloth-bound books from overseas as a reference, we repeated the color changes many times before finally deciding on the color.
And when I lined up all four colors, it looked so beautiful!





■The cotton cloth of the plain weave that the back tape wanting you to endure long use is smooth.
■Gold leaf pushes the logo of the refreshing style of handwriting. A feeling to enjoy casual sense of quality secretly.
Product specifications: Product made in Japan with one piece of circle seal for 80 pages of 14.8*21cm (A5 size) this newspaper /OK fools titles
Product explanation: Notebook 2 which Mitsu wants to use

"The Mitsu
In any case, the feel of writing on the Fools paper was pleasant, and even when it was subjected to harsh handling, such as being rolled up and stuffed into a pants pocket, the machine-stitched pages did not come off, making this a notebook with no complaints in terms of usability.

After "Mitsu, this disappeared, we should do what"
Though "I am in trouble if this disappears, but after all I want the notebook of the pure color now."
"Do you do it with a clean color?"

Other than basics of the selection of thing being of good quality in now when I repeated years while seeing a various thing, and using it, the thing called the of superior grade becomes the necessary condition when I explain "the clean color" of the place where Mitsu says by the selfish interpretation of the Kurashiki design.
It is bitter, and parenthesis a lot of good notebooks are found if I look around the stationery circumstances of these days, but are slightly different from it.
If it is to be an adult-like, or there is a notebook refined clearly which there is not of the cloudiness though I am pretty while being delicate amorous glances, I want to use whether it is said that it is chic though it is colorful by all means.
Of course the point of the of superior grade is color of the cover, material of the back tape enduring use, the color of the never convenient spin string, a nuance with all the detail which worked of the mind including the foil push of the logo that there is including a claim casually.
So "can a clean color not make a refined notebook bringing on of superior grade?"
Therefore the notebook project second that Mitsu wanted to use began.
At first what I decided to assume the quality of paper of the cover covering this newspaper of the function serious consideration well Gilbert Oxford.
The structure that I incorporated in length and breadth was the paper of the delicate impression, but the decisive factor was the innocence.
Snow white without dullness gives an impression of cleanliness really.
"I want the cover with this white on absolutely."
"I have not surely seen the note of the so snow-white cover." and
"Is the white worried about being easy to become dirty?"
As "I draw mat varnish, I feel slightly different."
At first, it is decided the first color.
Then, "let's make that the man preference is jet-black."
I finish this in deep black in a black ink twice overprint.
Finally it is blue with pink of the Mitsu preference.
However, this is a difficulty of the maximum.
Suction of the ink is strong, and there is cloudiness in Gilbert Oxford in a color by all means.
In reference to the beautiful color development of the overseas cloth tension binding book, I repeat cooking to show the beautiful colors of the ingredients many times and am finally decided.
And brag is so beautiful when I arrange all four colors!